What if everything you love was taken from you in the blink of an eye? "The Host" is the next epic love story from the creator of the "Twilight Saga," worldwide bestselling author, Stephenie Meyer. When an unseen enemy threatens mankind by taking over their bodies and erasing their memories, Melanie Stryder will risk everything to...
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What if everything you love was taken from you in the blink of an eye? "The Host" is the next epic love story from the creator of the "Twilight Saga," worldwide bestselling author, Stephenie Meyer. When an unseen enemy threatens mankind by taking over their bodies and erasing their memories, Melanie Stryder will risk everything to protect the people she cares most about - Jared, Ian, her brother Jamie and her Uncle Jeb, proving that love can conquer all in a dangerous new world.
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Thanks to slow start and faithfulness to the navel-gazing source material, Stephenie Meyer and the film adaptations of her Twilight series became a whipping boy for self-respecting moviegoers. It's too bad - anyone who turned their noses at the later entries of the mega-succesful franchise missed some of the craziest camp since John Waters. That gave us hope when it came to the first non-Twilight Meyer adaptation: The Host, a romantic twist on Invasion of the Body Snatchers. Hope is quickly dashed only minutes into the latest from director Andrew Niccols (GATTACA, In Time), as The Host struggles with the same on-the-nose, emotional dizziness that plagued the pre-Breaking Dawn movies in the vampire saga.
Actually, it might be worse.
Whereas Twilight relied on dead-eyed gazing to convey the courtship between Bella and Edward, The Hostactively works to externalize the inner monologue, spending most of the movie inside the head of its split-personality main character. Melanie (Saoirse Ronan) was a regular Southern belle before Earth was invaded by a parasitic race of aliens known as ''Souls.'' The planet is quickly taken over by the amoeba-like critters, who inhabit the bodies of humans in hopes of correcting their imperfect tendencies. No luck, though - when Melanie is eventually captured by ''Seekers,'' a jumpsuit-wearing police force who help new arrivals find host bodies and crack down on the rebellious few without aliens in their skulls, she goes down fighting. A Soul known as ''Wanderer'' is placed inside of her, but against all odds, Melanie's consciousness remains.
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The two get off to a bumpy start, but before too long, Melanie has Wanderer empathizing with the human Resistance. She also feels guilty for taking over her host's life, and decides to right the wrong by trekking out into the desert to reunite Melanie with the ones she loves. Like his past films, Niccols intricately builds the world of The Host. As Melanie and Wanderer hit the road like a Jekkyl and Hyde version of Thelma & Louise, we get a taste for the new Earth designed by the Souls. It's basically communism: everything is shared, everything is free, and everyone lives in harmony (minus the pesky humans who refuse to share their headspace with a glowing amoeba from outer space). The world of the Souls is perfect, and Wanderer's awakening to the idea that even utopias have their downsides is an intriguing arc.
But as Niccols and Meyer are both familiar with, a well-constructed setting and concept only goes so far. Ronan is an actress with broad range (see: Hanna) and elegant delivery. Here, her subtle work is bogged down by grating voiceover and a demand to react like a deer in headlights. The two personalities spend most of the film bickering at one another, Ronan's rage-filled Southern twang blaring over her wide-eyed, observational approach to Wanderer. When they arrive at the desert cave retreat of the Resistance, The Host's voiceover problem reaches crippling levels. Turns out, Melanie had a boyfriend, Jared (Max Irons), before being captured by Seekers. He's hanging with her uncle Jeb (William Hurt) in the caves, and less than enthused by Melanie's extraterrestrial companion. Wanderer - renamed ''Wanda'' to fit in with the normals - is chastised by Melanie for even speaking to Jared, so she retreats into the arms of Ian (Jake Abel). Yes, when Earth is overrun with alien beings and the last of the human race struggles to stay hidden from Seekers, there is still room for a romantic quadrangle... between two interchangeable hunks, an alien impersonating a human, and a disconnected voice.
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The movie is littered with missed opportunities, seemingly uninterested in diving into the character-driven side of the elaborate science fiction ideas it is built up
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