Eighteen-year-old Matthew Kidman is a straight-arrow over-achiever who has never really lived life--until he falls for his beautiful and seemingly innocent neighbor, Danielle. When Matthew discovers that this perfect "girl next door" is a one-time porn star, his sheltered existence begins to spin out of control. Ultimately, Danielle...
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Eighteen-year-old Matthew Kidman is a straight-arrow over-achiever who has never really lived life--until he falls for his beautiful and seemingly innocent neighbor, Danielle. When Matthew discovers that this perfect "girl next door" is a one-time porn star, his sheltered existence begins to spin out of control. Ultimately, Danielle helps Matthew emerge from his shell and discover that sometimes you have to risk everything for the person you love, as he simultaneously helps her rediscover her innocence.
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The Girl Next Door--about a good boy who gets mixed up with the wrong girl--is mildly entertaining if you don't mind watching a blatant rip-off of the much better Risky Business.
Let's compare. Like Risky's Joel (Tom Cruise), Girl Next Door's Matthew Kidman (Emile Hirsch) is a straight-arrow, overachieving high school senior who wants to get into an Ivy League school, and also like Joel, he has a horny best friend (Chris Marquette) who urges him to live a little first. In Risky Business, Joel falls for the lovely Lana (Rebecca DeMornay), a high-class call girl with a heart of gold, and watches his orderly world go haywire, especially when Guido (Joe Pantoliano) the killer pimp shows up, trying to drag Lana back and nearly ruining Joel's college plans. In Girl Next Door, the love interest is the beautiful Danielle (Elisha Cuthbert), a onetime porn star who moves in next door, captures Matt's heart, and rocks his orderly world--but instead of a killer pimp, Danielle's pursued by a killer porn producer named Kelly (Timothy Olyphant), who's trying to get her back in the biz. Kelly eventually threatens Matthew for interfering and gets the kid into big trouble, nearly blowing his college chances. In both movies, Joel and Matthew come up with an elaborate plan to make things right--and aided by their newfound girlfriends and the girls' ''work'' friends, the scheme not only gets them all off the hook but makes them a lot of money as well. See? Same-same--almost.
It's not really the actors' fault they're stuck in a retread. Hirsch, who was quite good in The Emperor's Club, a Dead Poets Society facsimile, is particularly appealing as Matthew. Although he's not as good at doing the wide-eyed-innocent thing as Cruise was, Hirsch deftly handles Matthew's burgeoning wild side with comic aplomb, especially in the scene where he accidentally takes ecstasy before attending a fancy dinner where he tries to win a scholarship. Cuthbert (TV's 24), however, isn't nearly as effective as her co-star or her predecessor. Although the actress certainly looks the part of former porn star Danielle, Cuthbert doesn't have that sultry, sharp-as-a-tack sensibility DeMornay had in Risky Business. Danielle is more world-weary than anything else, and Cuthbert never convinces you that a porn star--even a reformed one--could ever give up her jaded outlook to be with an idealistic high schooler. In the supporting roles, Matthew's over-sexed best friend Eli, played by the geeky Marquette (Freddy vs. Jason), spouts some amusing quips that never reach the memorable level of the classic, ''Sometimes, you gotta say 'What the f**k,''' from Risky Business, while Olyphant (HBO's Deadwood) fares well as the menacingly charming Kelly, the only character in the film you refreshingly can't quite figure out.
When Risky Business debuted in 1983, the film was an instant classic. It spoke to the male teens of its generation, and it made Tom Cruise a bona fide star. No one will ever forget that love scene on the train when Joel came of age with a call girl, nor will we forget that he innocently peddled prostitution to get out of a jam. The film was one of the first to portray on-screen teens in a whole new light. (Remember, John Hughes' teen angst melodramas like Sixteen Candles and The Breakfast Club came later). Girl Next Door's director Luke Greenfield (The Animal) is obviously a fan, patterning his film after the classic with the same beats, the same structure and even the same music. Certainly Girl Next Door brings the idea of a Risky Business to a new generation of male adolescents--who will no doubt drool over the whole porn aspect of it. But unfortunately, Girl Next Door lacks Risky's irreverent charm.
Risky Business doesn't need a remake, and even if it did, The Girl Next Door is an unoriginal attempt, despite its modern-day spin.
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