Tommy Vinson is an ex-gambler who quit the game of Texas Hold'em over 30 years ago after missing a family emergency and swearing to his wife, Helen, "never again." Tommy tries to be content with his luggage business but while watching a poker tournament on television, he sees someone who reminds him of his younger self, Alex Stillman....
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Tommy Vinson is an ex-gambler who quit the game of Texas Hold'em over 30 years ago after missing a family emergency and swearing to his wife, Helen, "never again." Tommy tries to be content with his luggage business but while watching a poker tournament on television, he sees someone who reminds him of his younger self, Alex Stillman. Alex dreams of playing professional poker, like the icons he sees on TV. After winning an on-line event that places him in the televised game, Alex loses early. He's close to greatness, but what he doesn't realize yet is that he focuses too much on the cards and not the players... that's where Tommy comes in. Tommy finds Alex and makes a pact with him: he'll front Alex the high priced entry fees to all the major tournaments if Alex plays the way that Tommy wants him to. Alex resists at first, but after seeing Tommy make some impressive calls while watching a poker game together, Alex changes his mind and they partner. But then, Tommy gets his appetite back for the game and a hunger to be acknowledged as the best. He enters the final tournament of the poker season and ends up facing Alex, his protégé, in the finals of the world series of poker. And what happens there, even though only one will be declared champion, leaves them both winners.
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Poker movies continue their losing ways with this dull and derivative drama about a legendary veteran who takes a young hotshot under his wing and tries to teach him some new tricks.
Stop us if you think you've heard this one before: Alex Stillman (Bret Harrison) is a college kid who shows a real talent for poker. He is discovered by legendary player Tommy Vinson (Burt Reynolds), who at the insistence of his wife (Maria Mason) retired from the game 20 years earlier but sees a younger version of himself in Alex and offers to train him for some major tournaments. Although their meeting of minds seems initially promising, the whole thing falls apart when Alex starts a brief fling with a girl (Shannon Elizabeth) he later finds out is a prostitute Tommy paid off to keep the kid happy. The two are eventually reunited in a different way when Tommy decides to make a comeback on his own and ends up competing against his protégée in a televised tournament worth $8 million to the eventual winner.
Although Reynolds has top billing on the end credits, marketing materials list Bret Harrison in first position above Burt in the hope that the bland TV star (Reaper, Grounded For Life, etc.) can draw his young fans. NO one is likely to turn out for this mis-guided Color of Money wannabe. That 1986 film had a different game (pool) and an identical plotline, but it also had Tom Cruise, Paul Newman in an Oscar winning role and direction by Martin Scorsese. Here you have Reynolds and Harrison sleepwalking through the banal dialogue and pedestrian situations. Reynolds' toupee shows more interest than he does! And Harrison is thoroughly unconvincing as a guy we are meant to believe can jump right from college to the very top of the poker world in no time flat. Elizabeth actually makes the strongest impression in the film but she has an underwritten part and three scenes. Mason has the thankless role of Reynolds' long-suffering wife, while Charles Durning and Jennifer Tilly can probably find most of their almost non-existent roles on a cutting room floor somewhere.
Director Gil Cates Jr. does no favors for his own screenplay (co-written with Mark Weinstock) with static unimaginative shots and coverage of the numerous poker games so sloppy that he makes Lucky You look like a masterpiece. The performances all clearly suffer from his by-the-numbers direction as well. To be fair, it is extremely difficult to make card games compelling to watch on screen but most of his shots look like he just set the camera up in one position, called 'Action' and went out for a smoke. He should have rented Steve McQueen's 1965 poker classic The Cincinnati Kid to see how a real director (Norman Jewison) could make this stuff visually interesting. Cates is the son of the veteran producer who runs the Oscar show. On the basis of Deal at least Cates Sr. won't have to worry about finding seats for his son at next year's ceremony.
Hollywood.com rated this film 1 1/2 stars.
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