Paul Aufiero, a 35-year-old parking garage attendant from Staten Island, is the self-described "world's biggest New York Giants fan." He lives at home with his mother, spending his off hours calling in to local sports-radio station 760 The Zone, where he rants in support of his beloved team, often against his mysterious on-air rival,...
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Paul Aufiero, a 35-year-old parking garage attendant from Staten Island, is the self-described "world's biggest New York Giants fan." He lives at home with his mother, spending his off hours calling in to local sports-radio station 760 The Zone, where he rants in support of his beloved team, often against his mysterious on-air rival, Eagles fan Philadelphia Phil. His family berates him for doing nothing with his life, but they don't understand the depth of his love of the Giants or the responsibility his fandom carries. One night, Paul and his best friend Sal spot Giants star linebacker Quantrell Bishop at a gas station in their neighborhood. They impulsively follow his limo into Manhattan, to a strip club, where they hang in the background, agog at their hero. Paul cautiously decides to approach him, stepping into the rarefied air of football stardom -- and things do not go as planned. The fallout of this chance encounter brings Paul's world crashing down around him as his family, the team, the media and the authorities engage in a tug of war over Paul, testing his allegiances and calling into question everything he believes in. Meanwhile, the Giants march toward a late-season showdown with the Eagles, unaware that sometimes the most brutal struggles take place far from the field of play.
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WHAT'S IT ABOUT?
Thirty-five-year-old parking attendant Paul Aufielo is the epitome of the obsessive fanboy. He lives with his mom, toils in a dead-end job and has no romantic life to speak of. But Paul's pop-culture obsession isn't anime or comic books or World of Warcraft; it's pro football — the New York Giants, to be precise. He lives and dies by the team, defending it nightly on sportsradio talk shows against the barbs of rival callers.
Paul's mundane yet steady existence is upended rather suddenly when he and his best friend, fellow die-hard Giants fan Sal, happen to spot the Giants' star linebacker, Quantrell Bishop, filling up at a neighborhood gas station. Emboldened by the chance sighting of their larger-than-life hero, they decide to follow his car, ending up at — where else? — a strip club.
But when Paul finally works up the courage to approach Quantrell and introduce himself, the encounter takes a disastrous turn when he accidentally provokes the superstar and ends up on the receiving end of a brutal beating.
Days later Paul wakes up in a hospital to learn that he suffered severe head trauma during the incident. Worse yet, Quantrell has been suspended indefinitely by the NFL, pending results of the police investigation of the assault, putting the Giants' playoff hopes in jeopardy.
Amazingly, Paul balks at pressing charges against Quantrell in the silent hope that it might result in the linbacker returning to the Giants for the crucial playoff run. Plagued by the after-effects of a severe concussion and under pressure from a skeptical detective and bewildered family members, Paul is soon forced to decide between his well-being and the one thing that makes his being worthwhile.
WHO'S IN IT?
Making his directorial debut with Big Fan, screenwriter Robert Siegel (The Wrestler) took the bold step of casting comedian Patton Oswalt in the lead role of Paul. It's a risk that pays off, as Oswalt's legendary fanboy ethos translates surprisingly well to the realm of sports fanaticism.
In the role of Paul's more level-headed friend Sal is prolific character Kevin Corrigan (American Gangster, The Departed), while Matt Servitto (The Sopranos) plays the detective saddled with a confoundingly uncooperative witness.
Other cast members include Marcia Jean Kurtz as Paul's mom, Gino Cafarelli as his ambulance-chasing attorney brother, and Jonathan Hamm as Quantrell.
The cult of celebrity long ago spread beyond the borders of Hollywood, and Big Fan offers a clever, insightful examination of the phenomenon as it relates to the world of professional sports. Paul is the quintessential diehard whose loyalty and unflinching devotion to his favorite team keeps the whole apparatus afloat. If the premise of Big Fan seems outlandish, simply search for "Oakland Raiders fans" on YouTube and watch in horror.
Big Fan has its humorous moments, but its overall tone is much more tragic than comic, as one might expect from the guy who gave us The Wrestler.
As Big Fan marches towards its climax, the story, heretofore anchored in realism, veers abruptly into some borderline ridiculous territory (hint: There's a kidnapping scheme). It's a shift that tests the limits of Oswalt's dramatic range.
Siegel used actual New York Giants team logos for Big Fan, risking the ire of an intensely image-conscious NFL. It's a brave decision that makes the movie far more effective than if Paul were a devotee of, say, the New York Roughriders or some similarly lame-sounding fictional franchise.
Hollywood.com rated this film 3 1/2 stars.
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