14 Cameras

"14 Cameras" is simply a perv fantasy pretending to be something more than the icky piece of filmmaking that it is.

Voyeurism has never been so boring.

A tedious exploitation picture not even sleazy enough to find offensive.

Unfortunately, Archambault's churlishly over-the-top performance makes it impossible to take 14 Cameras seriously, no matter how you interpret Gerald's actions.

14 Cameras reflects the fears we have about urbanism, all the anxious aspects of living in a city.

The sequel to the 2015 high-tech peeping Tom thriller '13 Cameras' takes the premise up a notch with genuinely creepy results.

A lot of 14 Cameras' shortcomings can be at least partially attributed to screenwriter Victor Zarcoff, who both wrote and directed the previous film. This one is largely plotless, and the script fails to develop any memorable or sympathetic characters.

A thoroughly unnecessary and disappointing sequel...marked by poor writing and slipshod construction, as well as flat directing and amateurish acting.

The thing is, there's also a lot of better stuff out there on this theme, and so although this isn't wholly awful, there's not much reason to give it 90 minutes of your life.