360

This is a film in a hurry, and the characters are all so fleeting you can't engage with any them, but would you want to, even if you could? They are either clichés or two-dimensional irritants obsessively interested in their own trite miseries.

There's one Anthony Hopkins monologue to remember, but that only highlights everything the rest of the film so sorely lacks.

Spending 111 minutes watching people at the mall would be a more illuminating study of human behavior-and undoubtedly more entertaining.

The film's generic, meaningless title is a sign of the dullness to come.

An utterly superficial movie ineffectively posing as a work of significance. Yes, "grandiosely superficial" will do quite nicely.

360 is a classic example of how you can't always judge a movie by its credits.

It's pretty to look at but boring. [Full review in Spanish]

Far too many of the stories lead to dead ends, and even fewer still feel wrapped up dramatically.

Meirelles' 360 is a bit of a turkey. It might aspire for depth and meaning, but the Brazilian director's latest is a shallow and sketchy affair, all the more disappointing because everyone involved has the talent to do better.

If the film had not been afraid to go a little darker, dig a little deeper and develop its characters beyond their stereotypes, it would have been a much stronger effort.