A Different Man

Every space around Edward becomes a manifestation of his psychic discontent.

Yes, there’s a sermon of sorts at the center of A Different Man. But the message arrives post-movie, thanks to a narrative that is consistently compelling in its novelty, and twin performances that really do get under the skin.

An audacious and mordantly funny attempt to analyse a subject that’s so often regarded as taboo.

It’s worth watching for Pearson’s performance. The karaoke scene — which seems almost mandatory in any comedy these days — is a highlight.

From the get-go, Aaron Schimberg is asking the right questions about prejudice and repulsion.

The writer/director is smart enough to understand how to deal with complex material... the reference points are very smart.

Fearless and empathetic but also darkly, bitterly humorous, this affecting dramedy explores themes of outward appearance and inward value with fresh, bracing vigor.

It might have a few kindred spirits in various ways among 2024's highlights, but nothing else truly like this has reached screens in years.

...well worth seeing as a case study of how people sabotage themselves by confusing interior and exterior change, and a satire of a culture eager to create palatable, uplifting stories at the expense of thorny truths.

Schimberg’s film suggests that Edward wasn’t a particularly likable individual before his transformation, and even less so after. But you might very well consider going home with Oswald.