Bloody Hell

"Bloody Hell" is an assured work, confident in what it is and not trying to be what it isn't. For a rom-horror-com that works on all fronts, that's a job well done.

Grierson's maniacal, hyperactive work certainly lives up to its title, thanks to O'Toole's engaging demeanor and comic timing and one hell of a screenplay from Robert Benjamin.

Bloody Hell is blissfully, absurdly over-the-top, but in a twistedly charming way.

A brisk, just-funny-enough escape thriller.

Everyone involved with "Bloody Hell" is doing their jobs with creativity and gusto, even if it's hard to discern any larger point.

It's a buffet of only sour dishes, a rank fete of foulness.

The creature elements of this horror film blend well with the ’80s horror tropes it employs. ...O’Toole gives a convincing one as his friendly outward appearance goes toe-to-toe with his hyper-militant internal monologue.

Bloody Hell playfully employs a fairy tale aesthetic to impart one of life’s most earnest lessons: you can’t run away from your problems.

I love me some Big Muscles and Bigger Violence, and Bloody Hell's got those things in spades

If [Grierson and Benjamin] can get some of these belabored tics out of their system, they could actually make something special. Fingers crossed.