Buffaloed

critic Reviews

77% Certified Fresh Tomatometer Score77%
  • This late-capitalism comedy is undeniably uneven, but Zoey Deutch's effervescent performance gives Buffaloed wings.
  • Fresh Tomatometer Score
    Sheila O'MalleyRogerEbert.com
    Buffaloed churns with barely-controlled chaos in its best sequences.
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  • Fresh Tomatometer Score
    M. FaustThe Public (Buffalo)
    It's a blue collar movie that isn't going to make anyone want to move here, but I'm fine with that: take us as we are or leave us alone.
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  • Fresh Tomatometer Score
    Scott MarksSan Diego Reader
    This low rent She-Wolf of Wall Street is not without its charms - it's hard not to find some room in one's heart for a film that works so hard to restore the word "jagoff" to popular usage.
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  • Fresh Tomatometer Score
    Johnny OleksinskiNew York Post
    Thanks largely to the feisty Deutch, "Buffaloed" is a fun time, even if it's about everybody's least-favorite kind of phone call.
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  • Fresh Tomatometer Score
    Mark JenkinsNPR
    In 2017, Zoey Deutch managed to carry Flower, a brisk but slight comedy about an exuberant young hustler with Daddy issues. She does it again in Buffaloed, in which she plays pretty much the same character, but confronts a different social evil.
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  • Fresh Tomatometer Score
    Kimber MyersLos Angeles Times
    [I]t's hard to begrudge "Buffaloed" too much; this is a fast, fun watch that succeeds largely on the charms of its star and the able hands of its director.
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  • Fresh Tomatometer Score
    Michael WardShould I See It
    Zoey Deutch is a star, and watching Buffaloed, you get the sense that one day the rest of the world will catch up to her.
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  • Rotten Tomatometer Score
    Lena WilsonThe Playlist
    Mostly, "Buffaloed" taketh away 95 minutes of your life.
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  • Fresh Tomatometer Score
    Alan NgFilm Threat
    There's not a lot of laugh-out-loud moments, but it's a fun story to watch unfold.
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  • Rotten Tomatometer Score
    Rick KisonakSeven Days
    The blame for this exercise in pointlessness can be allotted fairly equally, I think, between [director Tanya] Wexler and screenwriter/cast member Brian Sacca.
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