Cadillac Records

critic Reviews

, 66% Fresh Tomatometer Score
  • What Cadillac Records may lack in originality, it more than makes up for in strong performances and soul-stirring music.
  • , Fresh Tomatometer Score
    Stephen GarrettTime Out
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  • , Fresh Tomatometer Score
    Cosmo LandesmanTimes (UK)
    The music is good, the suits are sharp, but it's the outstanding performances that wow. Walker is electrifying as Howlin' Wolf and Beyoncé - playing Etta James - has never been so sultry and sexy.
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  • , Fresh Tomatometer Score
    Peter HowellToronto Star
    Perhaps there were insurmountable legal restrictions. But the movie still serves as a dandy primer for rediscovering a lot of great music.
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  • , Fresh Tomatometer Score
    Stephen ColeGlobe and Mail
    Anyone who likes pop music or wonders how bands like the Rolling Stones got rolling will enjoy the ride.
  • , Rotten Tomatometer Score
    Peter BradshawGuardian
    Sadly the movie conforms to all the music-biopic stereotypes we've seen in Walk the Line, Ray and Dreamgirls.
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  • , Fresh Tomatometer Score
    Anthony QuinnIndependent (UK)
    The music is great, so energetic and vital it leaves the drama looking unfocused in comparison. Beyoncé, singing her heart out, is the pick of a very impressive line-up.
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  • , Fresh Tomatometer Score
    Debbie Lynn EliasBehind The Lens
    It's got a good beat and you can dance to it. And on this week's Rate-A-Record card, I give [Cadillac Records] a 98.
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  • , Fresh Tomatometer Score
    Nikki BaughanRoll Credits
    Darnell Martin takes some dramatic licence with the tale of Chess Records. But it's an enthralling story nonetheless, and the outstanding ensemble cast - together with a primal, heart-thumping blues soundtrack - make it a blast from start to finish.
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  • , Fresh Tomatometer Score
    Kelly VanceEast Bay Express
    It turns out to be grittier and more lowdown than that Ray Charles bio.
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  • , Rotten Tomatometer Score
    Joanne LaurierWorld Socialist Web Site
    The movie's major problem is its relatively superficial approach to postwar Chicago, which perhaps accounts for director Martin's playing fast and loose with the historical record.
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