Cadillac Records
critic Reviews
, 66% Fresh Tomatometer Score- What Cadillac Records may lack in originality, it more than makes up for in strong performances and soul-stirring music.
- , Fresh Tomatometer ScoreRead full articleStephen GarrettTime Out
- , Fresh Tomatometer ScoreCosmo LandesmanTimes (UK)
The music is good, the suits are sharp, but it's the outstanding performances that wow. Walker is electrifying as Howlin' Wolf and Beyoncé - playing Etta James - has never been so sultry and sexy.
Read full article - , Fresh Tomatometer ScorePeter HowellToronto Star
Perhaps there were insurmountable legal restrictions. But the movie still serves as a dandy primer for rediscovering a lot of great music.
Read full article - , Fresh Tomatometer ScoreStephen ColeGlobe and Mail
Anyone who likes pop music or wonders how bands like the Rolling Stones got rolling will enjoy the ride.
- , Rotten Tomatometer ScorePeter BradshawGuardian
Sadly the movie conforms to all the music-biopic stereotypes we've seen in Walk the Line, Ray and Dreamgirls.
Read full article - , Fresh Tomatometer ScoreAnthony QuinnIndependent (UK)
The music is great, so energetic and vital it leaves the drama looking unfocused in comparison. Beyoncé, singing her heart out, is the pick of a very impressive line-up.
Read full article - , Fresh Tomatometer ScoreDebbie Lynn EliasBehind The Lens
It's got a good beat and you can dance to it. And on this week's Rate-A-Record card, I give [Cadillac Records] a 98.
Read full article - , Fresh Tomatometer ScoreNikki BaughanRoll Credits
Darnell Martin takes some dramatic licence with the tale of Chess Records. But it's an enthralling story nonetheless, and the outstanding ensemble cast - together with a primal, heart-thumping blues soundtrack - make it a blast from start to finish.
Read full article - , Fresh Tomatometer ScoreKelly VanceEast Bay Express
It turns out to be grittier and more lowdown than that Ray Charles bio.
Read full article - , Rotten Tomatometer ScoreJoanne LaurierWorld Socialist Web Site
The movie's major problem is its relatively superficial approach to postwar Chicago, which perhaps accounts for director Martin's playing fast and loose with the historical record.
Read full article