Cemetery Man

Soavi's sophisticated shocker is a mordant delight.

If the film had been a hit, we might have gotten a series of increasingly less heartfelt, less handcrafted sequels--better one great film that stands alone.

The film is an excellent entry point into the world of director Michele Soavi.

A visually stunning horror comedy that is marred by a meandering and messy narrative.

The visuals of this film is what is gonna sell you... it is goofy and cheesy and just all over the place.

While several moments are moderately scary simply because of shadows, eerie sounds, and building anticipation, humor is never too far away.

This over-rated film has developed an undeserved cult reputation, based on a handful of good elements; ufortunately, there is no plot, so all you need to see is the trailer or, at most, the first fifteen minutes.

"Cemetery Man" (1994) is a quirky blend of romance, lust, surrealism, horror, and black comedy which transcends the work of better-known Italian horror maestros like Dario Argento thanks to its grotesquely humorous bent.