Elena

Tight, with nothing superfluous or unnecessary. Brilliant film.

The movie doesn't manage to break from it mediocrity. Though it deals with many interesting subjects (mostly it's- a late wife's love to her good husband vs her love for her looser grandson) the movie only manages to tell the story plainly without any spices and it's just boring

it was an art film. lots of silence. watched the interview with the director after.

Too slow and prolonged story. If this was made tighter, e.g. 60 minutes, should have been more fascinated.

The director makes the statement that the devil you know might strike any time. The darkness is present all around. This is not Disney.

Brilliant depiction of Russian social stratification with the dramatic heart of the movie laying in the theme of an inexplicability of one's inner impulses and soul aspirations. Shot stunningly beautiful as usual by Zvyagintsev's longtime collaborator cameramen Krichman, the film is also a pure pleasure to watch.

"Elena" is a good film, from a great director. A clash between classes with more meaning than story. If my rating is not too high, it is because I do like stories, and some scene are too long for they own good.

A study of the contrasts in modern Russia with Nadezhda Markina's title character caught right in the middle. She's a late middle-aged former nurse recently married to a very rich older man who she previously took care of after a hospital stay. Both have adult children from previous marriages. Elena's son is married with two kids but jobless and living in a run down apartment building covered in graffiti. Elena's husband does not approve and seeks to stop her from giving money to her son. Clearly, he wields all the power in their relationship and he brusquely asks her to serve him. Director Zvyagintsev (The Return, Leviathan, Loveless) takes a long time setting up the characters and their lives and the juxtaposition between their wealthy upper class existence and the son's relative poverty (but also their earthiness against his ruthlessness). Eventually, the plot turns into a sort of morality play when Elena needs to come to terms with her husband's disdain for her family (and herself?). Perhaps she takes a leaf from her husband's estranged daughter's book (played superbly by Elena Lyadova, tough but human). Similarly to his other features, Zvyagintsev gives no hints as to where the plot might lead, which ultimately creates suspense. The denouement, though puzzling, can be read in multiple ways - it feels deeply ambivalent. The film also looks beautiful with a quality of natural light (often bright sunlight) that makes each image seem like an artwork all its own.

A slow moving character study with a depiction of post Communist Russian society.

A fine film, but not a great one. The performances are the best part of it, otherwise the storyline is a bit thin in places . Perhaps more about the relationship between Elena and Vladimir earlier on, or more about how Katya became estranged from her father than just being 'just like her mother'.