Fall

Its unpretentious plot makes for a diverting if inconsequential couple of hours.

There are only so many ways you can film two actors in a single location, whatever the supposed altitude. But Frank maintains suspense with enough success to vindicate his reliance on old-school, non-digital techniques.

While the pace falters a little – there are only so many ways you can almost fall off a tower, after all – the tension is unrelenting.

A white-knuckle disaster in the sky, Fall does exactly and only what it says on the tin. Do look down!

Silly plot contrivances intrude and clutter up what should have been an 80-minute thrill ride.

Mann crafts this ride like a horror movie, with enough jump scares, gory sights and twists that make you howl while hanging on to its every vertigo-inducing frame.

Overall, Fall is a tension-ridden tormented trip to the top of the world - and not just for vertigo sufferers.

If your idea of a good time is squeezing your eyes closed and moaning “No no no no no” on repeat, you could do a lot worse.

The leads, along with the cinematography, score, and the downright terror you’ll feel, make Fall worth the watch

Fall is at its best when dealing with the challenges of being stuck In the middle of nowhere and no help in sight. Everything that could possibly go wrong does, and the fact the protagonists are mildly competent makes every complication more plausible.