Feedback

This contrived, nasty and uninteresting horror-thriller is a waste of its star Eddie Marsan.

[T]his movie is gripping from start to finish, largely because of Marsan, who makes Jarvis both charismatic and complex.

Puts the “shock” into Shock Jock in a thriller that dials the tension all the way up to 11.

Feedback is an intriguing social thriller that teases the social aspects more so than actually delivering upon them. With a lot going for it, it's a possible hit for some, though others might be wishing for a bit more.

Feedback is audibly mediocre and is aired for an audience that won't appreciate something more political, compelling and shocking.

Alonso has made a movie of unyielding stress, both of the bone-breaking and psychological varieties.

From a technical perspective, Feedback is extremely potent for long stretches. However, in aspiring to be relevant to current affairs, the film eschews effective simplicity for confused complexity.

Marsan's portrayal and the film's tense intimacy manage to keep a rather thin idea afloat at feature length.

[T]he absence of any kind of sympathetic figure here becomes an issue.

There's some generically British script weaved into this film which can occasionally be off putting, but certainly doesn't take away from the overall impact.