Get Away
critic Reviews
, 73% Certified Fresh Tomatometer Score- Drawing blood and yucks from its literal tourist trap setting, Get Away is uneven as comedy and horror but makes for a highly unique blending of the two genres.
- , Rotten Tomatometer ScoreKevin MaherTimes (UK)
... The movie degenerates into a tedious slow-motion gore-fest that’s as empty as it is illogical.
Read full article - , Fresh Tomatometer ScoreJohn NugentEmpire Magazine
Funny and shocking, Get Away is not always a successful holiday-gone-wrong, but its bloody bonkers final act makes it worth the trip.
Read full article - , Fresh Tomatometer ScoreJohn AndersonWall Street Journal
Offhandedly funny, conscientiously forbidding and ultimately a surprise.
Read full article - , Rotten Tomatometer ScoreCath ClarkeGuardian
The tone here feels less good natured, more self-congratulatory, the comedy not quite so light on its feet. Though it comes into its own with a cheerfully gruesome gorefest in the last half-hour.
Read full article - , Fresh Tomatometer ScoreChristian ZilkoindieWire
Should moderately entertain horror lovers looking for 86 minutes of fun. It’s no “Shaun of the Dead,” but it might be a better use of your time than a 100th rewatch.
Read full article - , Rotten Tomatometer ScoreBrian TallericoRogerEbert.com
Steffen Haars's "Get Away" is a one-joke film, and it doesn't even have a good punchline.
Read full article - , Fresh Tomatometer ScoreTyler DoupeDread Central
‘Get Away’ offers some good laughs but the home stretch is a bit of a slog.
Read full article - , Rotten Tomatometer ScoreMaria LattilaFilm Stories
There’s only so much the audience can suspend their disbelief, especially if there’s nothing to make us forget just how little sense everything makes.
Read full article - , Fresh Tomatometer ScoreIan BuntingDaily Record (UK)
Get Away is a mixed bag of so-so folk horror parody and surprising, manic blood-letting that makes Haars and Frost’s flick worth the troubled trip.
Read full article - , Rotten Tomatometer ScoreChris WasserIrish Independent
It’s too loose, a tad underdeveloped even, and Frost’s erratic, toneless screenplay promises more than it delivers.
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