I See You

The director's smartest achievement, however, is the way that he shifts the narrative emphasis around, frequently via plot twists, minor and major.

It would be impossible to guess the ending of I See You during its tiresome first act, which is something numerous films can't tout, but the movie uses cheap tricks to earn that kudos.

An eerie suspense exercise that starts out looking like a supernatural tale - one of several viewer presumptions this cleverly engineered narrative eventually pulls the rug out from under.

Director Adam Randall and screenwriter Devon Graye have delivered the kind of sly nail-baiter that could use a little more open space on the calendar to build up buzz so it can get noticed by fans of imaginative, original horror.

Just when you begin to question your own mental faculties and wonder if you've wandered into the wrong movie by mistake, the whole thing takes a left turn and leaves you convinced it's not the real Hunt you are watching, but a no-talent look-alike.

The film's tone is extremely eerie, with creeping camera movements, striking imagery, abrupt edits, and a delicately sinister score.

A complex puzzle of a film that doles out twists with such confidence that you have to admire it.

I See You promises us so much, but in the end it just can't deliver.

A hauntingly good puzzle of a film with twists you won’t see coming.

In defter hands, a similar story might have some punch but, as is, this amounts to a big yawn.