It Feeds

It Feeds is light on gore but heavy on the dark spooky wraith guy with thin, sinister fingers. It may not stick around in your memory with the persistence demonstrated by the entity towards its victims, but it passes the time chillingly enough.

“It Feeds” ultimately looks like a handsome genre exercise that was confidently realized with clarity and exactitude.

This original Canadian horror feature has a lot in common with the great modern horror franchise [Insidious], but it doesn’t seem to want to compete with it so much as stand proudly beside it.

Ashley Greene heads sturdy genre tale of clairvoyant's worst nightmare.

With impressive effects work which blends the practical and the computer-enhanced, It Feeds generates a lot of fear from fairly simple ideas.

All the elements are in place, including the performances, although the whole is less than the sum of its parts. How could it be greater than the sum of its parts? That’s the difference between a great artist and a competent craftsman.

Archibald taps into this bizarre Inception-esque, Insidious Lite brand of thrills that's a little too reliant on jump scares, but still effective as "Trauma Horror" with an edge.

It Feeds subverts expectations of supernatural horror stories to deliver a powerful yet frightening tale about trauma and the scars it can leave.

It Feeds has one decent idea, but after its first scene, the movie never takes advantage of that conceit's potential.

Immensely scary and, when all is said and done, even a bit touching.