Last Man Standing: Suge Knight and the Murders of Biggie & Tupac

In "Last Man Standing," Broomfield comes close to answering the questions - of guilt and recrimination - that have hung over these murders for too long.

A startlingly scattershot piece of filmmaking from a director who normally has a sure, personal hand on his projects.

Broomfield is not suited to documentaries with willing subjects.

Broomfield, however, is such a skilled film-maker that he can't but make it compelling.

Although a tad repetitive, Last Man Standing does a great job in recounting the details of this extraordinary tale of power, money and betrayal.

The bulk of the film is a simple redux of the same deeply depressing story, two huge talents dead.

There is some considered debate about what really happened, but nothing more than conjecture that most viewers will have guessed anyway. Come for the archive footage, but dont expect any answers.

There's not enough fresh insight here to justify revisiting the case yet again for those who have followed it through the years.

Broomfield's triumph is in reimagining Biggie and Tupac's murders out of their mythology and into a new context in which they are emblematic of a social malaise characterised by toxic masculinity, misogyny, racism, and police corruption.

Although it's difficult to verify how reliable his new witnesses are given the amount of time that has passed, the film paints a thoroughly damning portrait of Knight's rancid life and toxic business empire...