Last Night in Soho

Last Night in Soho may be a bit of retro fun, but its politics are as shallow as a puddle.

this audaciously original time-traveling thriller - with a plot too complicated and twisted to explain in a few sentences - wasn't exactly a crowd-pleasing hit. But please do yourselves a favor and stream it soon.

It's a bit too ghoul-heavy in its final stretch, but overall, this is an exhilarating, inventive blast of the past.

None of these questions get satisfactory answers. Still, most viewers will be won over by the film's sheer pop energy, which often suggests less a horror-thriller than an upbeat teen movie.

Effective in a certain sort of way, but I'm not sure it took me all the way home.

Wright warns against idealizing an era just as ripe with rot and degradation as the present, but his point also has more nuance than pointing out the obvious failings of a less enlightened time.

Anya Taylor-Joy and Matt Smith are at the top of their game in the film's entertaining flashbacks but genre mash-ups are a risky. business.

Last Night in Soho serves as a worthy nostalgia piece, but also warns against perils of living in the past.

In “Last Night in Soho” the sins of the past bleed into the chaos of the present to deliver something visually arresting and chillingly atmospheric.

“Last Night in Soho” has an ambitious story. It wants to be a coming-of-age story, a period piece, a horror mystery, a supernatural thriller. It comes very close to working before it falls apart by wading into Shyamalan territory with needing a twist.