Left Behind

critic Reviews

, Rotten Tomatometer Score
  • Yea verily, like unto a plague of locusts, Left Behind hath begat a further scourge of devastation upon Nicolas Cage's once-proud filmography.
  • , Rotten Tomatometer Score
    Jason BaileyFlavorwire
    The effects are hilarious, the sets are rinky-dink, and the character names are funnier than a full season of 'Big Bang Theory,' and the "narrative arc" of our heroine is laughably predictable.
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  • , Rotten Tomatometer Score
    Alonso DuraldeLinoleum Knife
    The first movie made from this material was all about the Anti-Christ taking over the UN. This one's about landing a plane.
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  • , Rotten Tomatometer Score
    Monica CastilloPaste Magazine
    The movie unravels in its own destruction. Every effort to milk the tragedy of the apocalypse is met with terrible music, acting and effects that soak (and drown) the pathos in camp fare.
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  • , Rotten Tomatometer Score
    William GossAustin Chronicle
    ...may be one of the most inept films to ever see a wide theatrical release.
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  • , Rotten Tomatometer Score
    Nell MinowMovie Mom
    "Left Behind" is being marketed as Christian entertainment, but it does not qualify in either category.
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    Gary GoldsteinLos Angeles Times
    A shoo-in to clean up at the next Razzie Awards.
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  • , Rotten Tomatometer Score
    Daniel BarnesDare Daniel
    Cage has little to do but somehow manages to do less with it.
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  • , Rotten Tomatometer Score
    Eddie Harrisonfilm-authority.com
    …Left Behind seems entirely preoccupied with the mechanics of landing a jet aircraft on a motorway rather than any advanced theological questions...
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  • , Rotten Tomatometer Score
    Richard CrouseRichard Crouse
    Cage is a practitioner of the Nouveau Shamanic school of acting but here he has dialled it down perhaps out of respect to the religious nature of the material, or perhaps he's saving the wild stuff for Con Air 2: This Time it's Biblical.
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  • , Rotten Tomatometer Score
    Mike MassieGone With The Twins
    Rather than focusing primarily on the religious aspects, the film mishmashes multiple genres, desperately hoping for a wider appeal.
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