Little Bites

very on the nose, but Fox’s performance is so compelling and i’m a sucker for a monologue like this. would make an interesting (albeit grotesque) double feature with Bring Her Back.

Little bit slow. Derivative. Kinda sucks. Never explains how this predIcament came to be or why it is allowed to continue.

Little Bites (2024) The Metaphor Does Not Work Well (11,768 – 15 Jun 2025 – by Claudio Carvalho) After losing her husband Jack, the widow Mindy Vogel (Krsy Fox) raises her ten-year-old daughter Alice Vogel (Elizabeth Phoenix Caro) alone. When the monster Agyar (Jon Sklaroff) moves to her basement, he feeds himself with little bites of Mindy’s body and she sends Alice to live with her grandmother (Bonnie Aarons) for a period to protect her. Mindy’s mother demands more responsibility of Mindy unaware of Agyar. When Mindy goes to the supermarket to buy groceries, she stumbles upon a woman named Gail (Lyndsi LaRose), who is the mother of one of Alice’s friends. Gails is worried about Mindy’s appearance and offers to help her whenever she wants. Soon, Sonya Whitfield (Barbara Crampton) from the Child Protective Service (CPS) knocks at Mindy’s door wanting to talk to Alice. She says that Alice should be at home next Tuesday; otherwise, she will bring the police with her. Meanwhile, Mindy tries to convince the monster to eat another person, and she unsuccessfully brings and drugs the stranger Paul (Chaz Bono) that she met at a bus stop, but the monster refuses. When Sonya returns, she goes to the basement and the monster eats her. How will Mindy get rid of the monster? “Little Bites” (2024) is a gore horror movie by Spider One with an intriguing and tense story of an addicted single woman trying to raise and protect her daughter alone. The monster Agyar is a metaphor to the drugs that are destroying Mindy’s body and mind. Alice gives the necessary support Mindy needs to get rid of her addiction. However, the metaphor does not work well since there is no explanation for what happened to Sonya Whitfield. My vote is four. Title (Brazil): Not Available My Blog: https://maniacosporfilme.wordpress.com/

1 hour and 46 minutes of horror. Rated R for Bloody Violent Content and Brief Language!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

What a waste of a potentially good movie. The ending is so odd and abrupt. Come to find out the vampire isn't real and is supposed to represent a drug addiction...yet the vampire eats a lady and speaks to the daughter for a good 5 minutes at the front door...?

This was a terrible waste of my time soo dissatisfied with the ending it spoilt the whole film. Not worth wasting nearly two hours of your life with this rubbish.

Entretenida película de bajo presupuesto. El ritmo es lento, la historia simple pero efectiva y aunque a medida que avanza me iba gustando menos hasta llegar al final que me pareció medio pelo cumple para cerrar de manera efectiva lo que nos quiere contar. Esperaba menos, entrego lo suficiente.

Unique film, but gets off to an extremely slow start. There’s a monster in the basement that wants the widowed mother’s daughter. She is protecting the girl by having her stay with the grandmother, who is weird and creepy. The monster makes do for the moment with feeding blood from the mother. Family drama ensues, as well as attempts to assuage the monster with other victims. If you can make it through the first hour or so, the action finally ramps up and the final confrontation is tense, effective, and sometimes frightening. The happy ending actually mostly works without seeming too maudlin or sentimental. Barbara Crampton has a great turn as a worker from Child Protective Services. The usual mystery of whether or not the monster is a hallucination of the main character is effectively played out as well. Not a great film but worth a watch.

“hAS tO bE oNE uH tHE wORsT mOViES eVER…” Look, there are movies for morons and then, there are movies like this. If you’re looking for drive-thru, you’ve probably lost your taste for real cooking. Or never had it.

A single mother (Krsy Fox) sends her daughter away while a vampire resides in their house. A moody yet tonally inconsistent film with little explanation of how the mother ended up in this addictive relationship. There are some good themes to explore but the actors are given little to work with. Fox is outstanding but Barbara Crampton (immortally lovely) and Heather Langenkamp (Nightmare on Elm Street) are given roles that are frustratingly bare bones. The latter's part serves little purpose in the film. I somewhat enjoyed it but it could've been so much more.