Love Actually

critic Reviews

, 64% Fresh Tomatometer Score
  • A sugary tale overstuffed with too many stories. Still, the cast charms.
  • , Rotten Tomatometer Score
    Radheyan SimonpillaiCBC Radio
    A cringe 10 for the price of one bulk holiday sale of the most well-worn rom-com tropes.
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  • , Fresh Tomatometer Score
    Scott TobiasAV Club
    Love Actually provides enough happy endings to make the audience forget that romance and Christmas miracles don't always work out.
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  • , Rotten Tomatometer Score
    Christopher OrrThe Atlantic
    The tagline for Love Actually is "The Ultimate Romantic Comedy." Perhaps. But not in the sense the producers intended.
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  • , Fresh Tomatometer Score
    James ChristopherTimes (UK)
    Sit back, and gawp at Ideal Britain. Revel in the tipsy plot. And enjoy a film full of adult whimsy and adolescent whingeing.
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  • , Rotten Tomatometer Score
    Joe MorgensternWall Street Journal
    That could have been a fascinating theme, but Mr. Curtis's film has no attitude about it other than blind approval.
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  • , Fresh Tomatometer Score
    David AnsenNewsweek
    Love Actually is alternately beguiling and bloated, witty and warmed over, smart and pandering. The majority is likely to swoon.
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  • , Fresh Tomatometer Score
    Rachel LaBonteScreen Rant
    Love Actually is aided by its charming cast of A-list British stars and the storylines that are executed well, though the flaws are still present.

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  • , Fresh Tomatometer Score
    Sebastian Zavala KahnLoud and Clear Reviews
    Love Actually is for the hopeless romantics and idealists of this world, but those just looking for a warm and comfortably predictable experience should enjoy the movie too.
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  • , Rotten Tomatometer Score
    Alan FrenchSunshine State Cineplex
    The ensemble nature of Love Actually has always drawn audiences into the festivities. Of course, that also means some narratives work and others do not.
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  • , Fresh Tomatometer Score
    Stephanie ArcherFilm Inquiry
    Set to the backdrop of Christmas, Love Actually finds believability in the unbelievable, crafting an environment where anything can happen and the greatest risks should be taken.
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