Love Tomorrow

Few of the dialogue scenes match the expressiveness of Vargas's night-time street shuffle, or Jourdain's closing-credit solo.

Christopher Payne's low-key, almost-romance.

Frankly, the performances and line-readings are uneven.

This is tame, lifeless stuff, following the characters as they drift from bar to party, coffee shop to dance class.

A largely dour romantic drama, hampered by thrusting non-actors into challenging lead roles.

Despite the impressive dance sequences Love Tomorrow is lead-footed when it comes to drama and ultimately falls flat on its face.

The problem? The stars -- both dancers, rather than actors -- struggle with bland dialogue. The drama comes too late and it's hard to care about the unconvincing pair.

This is a quietly introspective mystery that rewards the patient filmgoer.

Despite their gifts for dancing, the two leads here never look quite as comfortable delivering their lines.

ans of micro-budgeted British indies will probably love this offbeat semi-romantic drama, but the fact remains that the film is mopey and contrived, with performances that never quite ring true.