Mid90s

An earnest effort that nonetheless relies too heavily on gimmicks.

The attempts at authentic stoner dialogue soon become tedious, with too little plot or character development grounding the inanity.

Lending the film considerable ballast is an affecting performance by Sunny Suljic.

Mid90s is alive to the debauchery and obnoxiousness of teenagers, but also to their warmth and loyalty.

Mid90s feels like a male retort to Greta Gerwig's Lady Bird or Crystal Moselle's Skate Kitchen.

Hill has come up with an accomplished and watchable film in this style, nearly a pastiche...

In his directorial debut Jonah Hill proves that he understands how adolescence is not just a phase of life, but rather an attitude that carries as a souvenir several scars and several blows that mark us for the rest of our lives. [Full review in Spanish]


Mid90s struggles with an identity, but manages to be entertaining and exotic. The cloud of memories remind all of us of our youth and the life-or-death struggles we went through in order to be the adult at the end of that journey.

A sturdy feature that respectfully relies on visual storytelling, and has clearly also come from a place of passion.

Jonah Hill’s directorial debut resonates on many levels with Millennials and finds a way to embrace a specific type of vulnerability.