Moving On

There's tonal problems, but overall I enjoyed it.

Moving On is a pleasurable enough way to kill an hour and a half without regret.

Tomlin brings out Fonda’s best, rounding out those brittle edges, as their characters continue to have wild adventures and evolve -- letting go and moving on -- long past their eligibility for Social Security.

Fonda and Tomlin have become one of our great comic teams, and even if "Moving On" isn't a classic, who knows how many more opportunities we'll have to see them pushing each other's buttons like the old pros they are?

Sharp wit and a tart delivery are well-honed tools in [Tomlin's] arsenal. Costar Jane Fonda makes a great sparring partner, the Jack Lemmon to Tomlin’s Walter Matthau.

Fonda and Tomlin are as good as they have ever been and “Moving On” proves itself a powerful rumination on the strength it takes to age—mentally, physically, and economically.

It’s fun to see both women bickering away again.

Moving On is a star vehicle with two leads who drive it like Formula One champions.

Moving On is not groundbreaking cinema, but it doesn’t need to be. Honestly, it’s the better for it.

Fans of Netflix’s Grace & Frankie should definitely check out this black comedy which reunites the two female stars of that series -- Lily Tomlin and Jane Fonda.