Mr. Mom

critic Reviews

, 77% Fresh Tomatometer Score
  • Mr. Mom makes up for its stereotype-driven premise with a sweet script and charming work from a well-matched cast led by Michael Keaton and Teri Garr.
  • , Rotten Tomatometer Score
    Diane ShipleyBitch Media
    Reinforcing traditional gender roles is the entire point of 1983's Mr Mom.
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  • , Rotten Tomatometer Score
    Roger EbertChicago Sun-Times
    They had a great idea here. It's too bad they didn't follow it through on a human level, instead of making it feel made up and artificial and twice-removed, from the everyday experience it pretends to be about.
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  • , Fresh Tomatometer Score
    Nell MinowMovie Mom
    Sit-com material, ably done, with Keaton's off-kilter delivery a highlight.
  • , Fresh Tomatometer Score
    Josh LarsenLarsenOnFilm
    ... a slapstick consideration of gender roles in the early 1980s.
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  • , Fresh Tomatometer Score
    Sean AxmakerStream on Demand
    It’s an interesting time capsule and a funny family comedy, even if it reworks 1950s sitcom stereotypes for 1980s suburbia.
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  • , Rotten Tomatometer Score
    Matt BrunsonFilm Frenzy
    Mr. Mom rarely rises above the level of a polished TV sitcom, and the notion of a stay-at-home dad, treated here as The Craziest Idea Ever!, had already taken root by 1983. Still, it's hard to resist Keaton in this seemingly tailor-made role.
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  • , Fresh Tomatometer Score
    Octavi MartiEl Pais (Spain)
    The movie takes advantage of classic themes. [Full Review in Spanish]
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  • , Rotten Tomatometer Score
    Austin TrunickUnder the Radar
    It won't find its way onto any top ten lists of [John Hughes'] work, but it's far more enjoyable than the bulk of his '90s credits, and is anchored by a fun performance from a baby-faced Michael Keaton.
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  • , Fresh Tomatometer Score
    David NusairReel Film Reviews
    ...benefits substantially from Keaton's almost unreasonably charismatic turn as the title character...
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  • , Fresh Tomatometer Score
    Tim BraytonAntagony & Ecstasy
    A routine comic plot whipped up into an amenable time-waster by [writer John] Hughes and director Stan Dragoti with maximum efficiency and little imagination.
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