Mulholland Dr.

The movie is a surrealist dreamscape in the form of a Hollywood film noir, and the less sense it makes, the more we can't stop watching it... This is a movie to surrender yourself to.

More than any Lynch movie since Eraserhead, this noir-ish Hollywood saga has the shadowy texture and pliant foundation of a dream. Or a nightmare. Or both.

Few will be able to resist its heady sense of intrigue and two riveting lead performances by Naomi Watts and Laura Elena Harring.

Mulholland Drive is thrilling and ludicrous. The movie feels entirely instinctual.

A bone fide masterpiece. An erotic, deeply unsettling, darkly comic journey through the subconscious city of night.

Mulholland Drive is an absorbing tour de force by one of today's most daring filmmakers at the top of his form.

When a movie is still being dissected, projected, and mused upon after 25 years, you know you have an undeniably permanent piece of cinema lore.

Mulholland Drive, like all his movies, isn’t an equation to be solved but a dream to be shared.

The movie is about Hollywood and the process of assembling movies out of money, more or less fortunate actors, dreams, and the spackle of happenstance.

Mulholland Drive is dense, enigmatic, and frequently bewildering, yet stands as one of David Lynch’s most emotionally resonant pictures.