Never Rarely Sometimes Always
critic Reviews
, 99% Certified Fresh Tomatometer Score- Powerfully acted and directed, Never Rarely Sometimes Always reaffirms writer-director Eliza Hittman as a filmmaker of uncommon sensitivity and grace.
- , Fresh Tomatometer ScoreKevin MaherThe Times (UK)
Eliza Hittman and her two leads have transformed hard-hitting material into an uplifting must-watch.
Read full article - , Fresh Tomatometer ScoreNoëlle D. LilleyChicago Reader
Never Rarely Sometimes Always is a slow-moving film, but these young women will stay with you long after the film ends.
Read full article - , Fresh Tomatometer ScoreDwight BrownNational Newspaper Publishers Association
An enlightening script, expert ensemble acting and the most revealing film ever made about a young woman's right to choose.
Read full article - , Fresh Tomatometer ScoreRobbie CollinDaily Telegraph (UK)
As funny and tender as it is troubling...
Read full article - , Fresh Tomatometer ScoreKimber MyersCrooked Marquee
At once as intimate as a sigh and as urgent as a klaxon, Never Rarely Sometimes Always is an essential film about abortion that arrives at a critical time.
Read full article - , Fresh Tomatometer ScoreJake WilsonThe Age (Australia)
In the refusal to spell out or resolve too much, something lingers.
Read full article - , Fresh Tomatometer ScoreAnnlee EllingsonCineWomen
[Director Eliza] Hittman films with unblinking, sympathetic closeups that expose the girl’s desperation and grit.
Read full article - , Fresh Tomatometer ScoreBrandon StanwyckInSession Film
My kingdom for Eliza Hittman! Of all the movies I encountered in 2020, hers was the most…human.
Read full article - , Fresh Tomatometer ScorePaul Emmanuel EnicolaThe Movie Buff
With “Never Rarely Sometimes Always,” writer-director Eliza Hittman strikes the perfect balance between cinema verité and fiction, giving us a realistic character study of unwelcome teenage pregnancy that stays with you for days.
Read full article - , Fresh Tomatometer ScoreRory DohertyInSession Film
There’s something incredible about how Eliza Hittman frames characters.
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