Nine

Great entertainment. Spectacular dance routines. A lot to like

Atrocious! The material that this film is based on (the legendary film maker Fellini’s masterpiece “8 1/2” and the Broadway musical adaptation of that film) is practically flawless. Yet somehow the director of this travesty has decided to throw away more than half of the score of the show, turn the main character from a complex artist on the verge of a creative breakdown/break through into a one note egocentric chauvinist, and most sacrilegiously he and the screenwriter have made a film about film making as cinematically inert as a Liftetime Channel movie of the week. The genius of Fellini’s original was that he found a new and unique cinematic language for a semi autobiographical film about an artist who couldn’t find anything new or unique to say. The Broadway musical “Nine”, operating without the obvious advantages of a camera, still focuses heavily on the artistic process and retains much of the dream like quality of the film and much of its irony ( and features one of the most beautiful scores of any musical). But somehow Rob Marshal has decided that he would excise most of what came before and make an extended music video, a la MTV. This worked for his other foray into film musicals, “Chicago” — a show about the shallowness of American society and its worship of celebrity. For that his style was a perfect fit! Unfortunately it doesn’t work here, for the true heart of “8 1/2” and “Nine” is man’s search for his soul through art, something this film has none of. Wasted cast, wasted opportunity.

Half-baked and void of any real emotion or depth, NINE isn't a bad movie, but it's not that good either.

Fantastic! NINE is an audacious, sexy, sleek feast of a movie. Dances beyond the limits of what a musical can be. The story of Guido Contini's life and legacy is so inviting, and each female cast member grabs their chance to shine and steals the show. Everything is stylish and beautiful throughout the film, leading up to a semi-tragic ending and a surreal closing scene that will leave you deep in thought. One to watch again and again. Musical cinema at its very best!

I just adore this movie.. sick of all the negative Nancy and moaning Myrtles.. also these women are the best actress singers I have ever heard, I do realise fergie is an actual musician so wasn't talking about her.. but her song is great

I love DDL. I've seen everything he's ever done. This movie disappointed me almost as much as his retirement.

Rob Marshall's musical follow-up to his award-winning "Chicago" furthers re-enforced his sensationally dazzling knack for adapting faithfully the theatrical production value by the grasped sense, through an intriguing story under full circle and electrifying performances when radiating raw emotions. However, the impact seemingly continued his previous cinematic flaw of focusing on the main dazzlements over fulfilling nuances, particularly lesser chemistries, and elliptical seductions. (B)

While not as good as it's inspirations but it's a decent watch

پر زرق و برق با درخشش هنرپیشگان اما پر نقص

it is a special movie. Not only showing the role women play in a man's life, but also depicting the falling of a man, the loss of success, the sunset of a journey of glamour. I really enjoyed it and felt his agony and how he knocked every door and tried everything he used to do before to get back on track, yet failed and learnt he has to change things to re-ignite himself. I loved the music ,the shows and songs specially (I Can't Make This Movie). Too bad it is not popular, I guess one day people will appreciate how beautiful and different this masterpiece is.