Now You See Me

critic Reviews

, 51% Rotten Tomatometer Score
  • Now You See Me's thinly sketched characters and scattered plot rely on sleight of hand from the director to distract audiences.
  • , Rotten Tomatometer Score
    Shubhra GuptaThe Indian Express
    The magic tricks are quite spectacular, especially one which features Ms Fisher floating above the audience in a giant bubble. But Now You See Me needed more sharpness for it be a really good film.
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  • , Fresh Tomatometer Score
    Anna Smithmetro.co.uk
    It's a fun set-up with a terrific cast - [Jesse] Eisenberg plays against type as a smooth-talking card trickster while [Woody] Harrelson radiates easy charm as a mentalist and serial flirt.
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  • , Rotten Tomatometer Score
    Keith PhippsThe Dissolve
    Audiences go to magic shows to get fooled, but that doesn't mean they want to leave feeling cheated.
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  • , Fresh Tomatometer Score
    Charlotte O'SullivanLondon Evening Standard
    Implausible climax aside, this fast-paced, fizzy summer blockbuster leaves us with food for thought.
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  • , Fresh Tomatometer Score
    Tara BradyIrish Times
    This is a film about razzle dazzle composed entirely - and appropriately - from razzle dazzle.
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  • , Rotten Tomatometer Score
    Peter BradshawGuardian
    Overcooked, overcomplicated and underinteresting, this heist caper turns into a mess.
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  • , Fresh Tomatometer Score
    JD DuranInSession Film
    Harrelson is on in A-game big time as this funny, witty mentalist...
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  • , Rotten Tomatometer Score
    Brian EggertDeep Focus Review
    Now You See Me may boast incidental pleasures courtesy of an all-star cast, but the film’s oft-repeated line “the closer you look, the less you’ll see” ultimately proves true.
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  • , Rotten Tomatometer Score
    Keith GarlingtonKeith & the Movies
    The story is riddled with plot holes. Some characters are so poorly written. The magic, which should be a strong point, won’t blow anyone’s socks off.
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  • , Fresh Tomatometer Score
    Sean AxmakerStream on Demand
    The script plays fast and loose with logic and credulity and Letterier leans far more on CGI than old-school stagecraft magic, but the energy provided by Letterier’s driving pace and swirling cameras keep the film bouncing along...
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