Outside

The movie was too bad ..I’m too confused to understand the story from first scenes..HAHAHAHHA but the actor was too handsome

Zombie movies are a dime a dozen and this flick is just another in a string of boring terrible story flick. The dubs are laughable. It is drawn out and I could not wait for the end. One skull on this waste of video 💀

Mantener al espectador en constante tensión es uno de los mayores aciertos de esta película, gracias a una trama bien elaborada y actuaciones destacadas. Los personajes abordan temas profundos como la soledad y los problemas de pareja, lo que añade una capa emocional significativa a la historia. La epidemia que desata el caos exterior provoca una transformación interesante en el protagonista, explorando su lucha interna de manera convincente. No obstante, el desenlace deja algo que desear, ya que podría haberse desarrollado de una forma más satisfactoria. A pesar de este aspecto, la película ofrece una experiencia envolvente y bien construida que capta la atención desde el inicio hasta el final.

A Bold, Unconventional Take on the Zombie Apocalypse: Movie critic wannabes—if not bashers by nature—love to feast on and flaunt negativity like zombies hunting for fresh flesh. They lie in wait, ready to sink their teeth into movies that draw attention, often expecting the expected. When their expectations aren’t met, they go all in, banking on their critiques to snag a bit of the spotlight. But what they don’t realize about Outside is that it goes far beyond the usual zombie genre, daring to break free from the clichés while showcasing some of the country’s finest actors. Oh, and did I mention it’s the first Filipino zombie movie on Netflix? Not only does Outside defy zombie movie conventions, but it also celebrates Negrense pride in a way that feels authentic and refreshing. The film is shot in stunning locations across Negros Occidental, a visual feast that adds richness and texture to the story. It goes further by involving Negrense talents both in front of and behind the camera, with a particular nod to director Carlo Ledesma, who masterfully guides the film’s tone and pace. Kudos to Ledesma for bringing a uniquely Filipino, and distinctly Negrense, perspective to a global genre. From the outset, Outside doesn’t follow your typical survival horror blueprint. Sure, there are the “dead ones”—there always are—but the true terror lies within. The film is less about brainless creatures stumbling around, and more about what happens to those who are left behind. It presents a haunting epidemic that hits frighteningly close to home, with realism that makes you question how we’d truly respond if an outbreak like this were to occur. One of the film’s greatest strengths is its ability to balance an eerie sense of isolation and dread while staying rooted in a very Filipino cultural backdrop. It’s refreshing to see a homegrown horror film that refuses to rely on tropes like endless chase sequences or your typical “who will survive?” narrative. Instead, it plays with the psychological horror of the situation—what happens inside the minds of people when chaos unfolds around them. The cast is stellar, featuring some of the Philippines’ best talents, who each bring depth and believability to their roles. It’s not just about zombies tearing through the streets; it’s about the fear, paranoia, and sometimes unexpected courage that arise in such a desperate situation. Yet, predictably, some critics are barking up the wrong tree, bemoaning the film for lacking traditional zombie elements. Spoiler alert: if you were expecting the same old formula, you’re missing the point. Outside isn’t your typical brain-munching fest. It’s smarter, scarier, and more unsettling because it feels plausible—an epidemic nightmare that could actually unfold in real life. The horror comes not only from the infected but from how society breaks down under pressure. To those who complain that Outside doesn’t deliver the mindless, gory romp they were hoping for, I’d say: maybe watch the film for what it is, not what you think it should be. After all, a little fresh take on a tired genre isn’t a bad thing. And how do we get rid of zombies, you ask? Well, we could start by addressing the critics who missed the plot entirely. In the end, Outside not only marks a bold first step for Filipino zombie films but also celebrates the spirit and talent of Negros. With its stunning locations, involving local talents, and Carlo Ledesma at the helm, it sets itself apart by weaving a more thoughtful, epidemic-based horror that sticks with you long after the credits roll.

Terrible movie, everything is wrong.

Excellent zombie movie, I highly recommend it!

I consider myself a zombie movie conissiuer. A fan from the oldies to some of the new. This one is a very high rank amongst the new. It's not tacky. The storyline is phenomenal. I'm usually able to catch on to the endings of movies & this one had me close to the edge of my seat. I do wish the wife had a little more edge, but I know that isn't the case on average. The ending left a lump in my throat. Major kudos to this team!

Wow, what a horror thriller. This movie is not your typical zombie movie as the undead are more gruesome and the story is really the family not what is going on outside. Beauty Gonzalez as the mother is superb. You feel her pain. It is long but the last 30 minutes is truly horrific. Must see.

A slow psychological thriller placed in an undead landscape, the story encapsulates the proverb "if there is no enemy within, the enemy outside can do no harm"

I'll make this simple. This film is bad. The End.