Parasite

I'm still in considerable pain from watching Parasite, days later. It's that great of a film.

With Parasite, Bong Joon-Ho has produced a brilliant social commentary, and what might well be the best film of 2019.

As with his earlier works... [director Joon-ho Bong] embeds a biting social critique in a dynamic narrative with unexpected risks and satisfying surprises.

South Korean director Bong Joon-Ho's "Parasite" contains everything that's exciting about his films: a grand fluidity of camera movements and a framing of shots that makes you look into corners just in case something's lurking. B

A twisty and uproarious thriller, "Parasite" packs a ton of entertainment around some sharp and timely social satire.

A scathing satire-farce-tragedy-horror... You might not like where it goes, but you certainly won't forget it.

Bong leads us into this realm slowly and expertly, often relying on an eclectic soundtrack - opera one moment, a jazzy all-drums set the next - to carry us forward.

Parasite is a great film all right. It is not, I think, to be missed by anyone who seriously cares about movies.

Filmmaker Bong does a superb job of immediately drawing the viewer into the deliberately-paced proceedings...

One of the most intriguing, intelligent, and disturbing films of the year.