Personal Velocity: Three Portraits

Miller is a witty and socially acute observer; the three portraits in "Personal Velocity" are told with both novelistic richness and brisk, confident economy.

By the end of Personal Velocity, you want to invite all three female characters around for coffee to hear what happened next, and I can think of no higher praise for everyone involved.

This uneven triptych features flawed female heroines whose woes are attributable to unstable or bland male partners and simple bad luck.

Story about life's turning points is not for kids.

Miller's film is bold and hearty, but it's also a ham-fisted wallop to the senses.

Although each woman has only about half an hour of screen time, all three are more fully realized characters than any woman in a typical two-hour Hollywood blockbuster.

Miller has made a provocative, intimate triptych of short stories.