Shaadi Mein Zaroor Aana

For a film that ostensibly sets out to speak against the ills of dowry, Shaadi Mein Zaroor Aana is surprisingly, and dangerously muted.

Rajkummar Rao is earnest and tries to give his best to a film that doesn't deserve it.

Such a terribly confused take... it is difficult to tell which side of the gender and ethical divide the film is really on.

Ironically, the only time I felt like being a part of this wedding was when it wasn't happening. By the time they turn into accomplished adults, the movie begins its own conscious uncoupling...

Rajkummar Rao tries his best to salvage the situation, humanising Satyendar for the most part; but even he cannot pull off the truly farcical parts of this film.

When SMZA talks about the dowry system the inequality towards women in civil services and general working opportunities, it feels like a mature and relevant story. But the treatment is so lackluster that it relegates the movie to Indian soap opera status

The film could have been much better than it eventually turns out to be. But if you don't mind watching a modest family drama, reminiscent of the 90s, you won't mind being privy to this emotional alliance.

[Shaadi Mein Zaroor Aana] sets up its plot with confidence and coherence before going off the rails in spectacular and painful fashion.

... beyond the song and dance routine, it also shines light on gender inequality, dowry and corruption, holding a mirror up to us as a people.