SPL 2: A Time for Consequences

critic Reviews

, 100% Fresh Tomatometer Score
  • , Fresh Tomatometer Score
    Simon AbramsRogerEbert.com
    If you like action films, you need to see "Kill Zone 2."
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  • , Fresh Tomatometer Score
    Noel MurrayLos Angeles Times
    Mostly, just as "SPL" did with Yen, this sequel serves as an ideal showcase for talented martial artists.
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  • , Fresh Tomatometer Score
    Andy WebsterNew York Times
    If there's one rewarding thing about many Hong Kong action directors, it's that they rarely dawdle in getting to what fight fans have come for: bracing shootouts and high-impact fisticuffs and footwork.
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  • , Fresh Tomatometer Score
    Cary DarlingFort Worth Star-Telegram/DFW.com
    What makes Kill Zone 2 remarkable is the head-pounding martial-arts action, a ballet of brutality that makes up in murderous choreography what it lacks in narrative cohesion. No one goes to a movie called Kill Zone 2 for plot anyway.
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  • , Fresh Tomatometer Score
    Ignatiy VishnevetskyAV Club
    Cheang keeps the movie in a state of exaggerated emotion; it opens with the choral "Lacrimosa" from Mozart's Requiem and a slow-mo shot tinted arterial red, and rarely lets up from there.
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  • , Fresh Tomatometer Score
    Elizabeth KerrThe Hollywood Reporter
    Ultimately the story is secondary to the action, which rarely lets up and never lets viewers down.
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  • , Fresh Tomatometer Score
    Ed TravisCinapse
    These kinetic action sequences can't be done justice in a written review, but the good news is that they really do deliver the goods.
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  • , Fresh Tomatometer Score
    Daniel KasmanMUBI
    Cheang has an incredibly rare sense of scope and this callused fighting film feels far more expansive than most globetrotting Hollywood actioners.
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  • , Fresh Tomatometer Score
    Jason BestMovie Talk
    Bone-crunching fight scenes, over-the-top melodrama and jaw-dropping coincidences: epic martial-arts thriller Kill Zone 2 boasts the lot.
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  • , Fresh Tomatometer Score
    John LuiThe Straits Times (Singapore)
    Director Soi Cheang gives the audience plenty to look at in this violent ode to male bonding and family values.
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