Stand by Me

[The boys] petty bickering and self-revelations unfold convincingly and with great humour, bottling that uncertain moment in life between childhood and adolescence.

It's among the light sprinkling of King tales that elide the supernatural entirely. But that doesn't mean it isn't morbid...

Stand by Me is a small, quiet film that walks tall and resonates long after.

Its perspective is that of a knowing adult, which is to say that though the film is frequently affectionate and funny, it contains a drop too much condescension to be entirely successful.

It stands, sweet and strong, ribald, outrageous and funny, like its heroes themselves -- a bit gamy around the edges, perhaps, but pure and fine clear through. It's one of those treasures absolutely not to be missed.

Stand by Me is a film of honorable ambitions severely compromised by a creeping show-biz phoniness.

A fine dramatic departure for a director who made his reputation in comedy.

Stand By Me is a "coming of age" tale with moments of vulnerability that make it somewhat relatable while still keeping it unusual.

It’s difficult to watch this film exactly as it is without reminiscing even a little bit about one’s own life as an adult, which I think speaks to Reiner’s approach in adapting the work.

Rob Reiner (directing his first drama) captures the texture of adolescent friendship and draws superb, vital performances from his young cast.