Stopmotion

The first half is mostly just functional... But when Stopmotion gets gross, it gets good.

Stopmotion is a strange, disturbing, exhilaratingly perverse film, which, like stop-motion itself, brings dead objects to life, and vice versa.

It’s a wildly inventive spurt of bug-eyed British gore that pulls the innards out of the creative process. Quite literally, at some points.

A British film that finds a particularly creepy way to generate fear. [Full review in Spanish]

An undeniably grisly but ultimately tedious tiptoe through the genre tropes.

“Stopmotion” isn’t perfect, but each element moves in lock step to forge a deeply troubling intimacy between Ella and her repellent figurines.

'Stopmotion' is a true horror story about the artistic journey in its most universal conception. [Full review in Spanish]

The result is not a great film, but instead great elements in a passable one.

Franciosi works at just the right temperature – patient yet revealing early on&#59; terrifyingly deranged later. She’s a perfect fit for Morgan’s morbid vision…

Aisling Franciosi is outstanding in Stopmotion, Robert Morgan’s creative horror debut about an animation director.