The Gorge

The special effects are quite good, but “The Gorge” doesn’t scale the goofy heights in a rollercoaster ride way that it thinks it does, stalling out with a hackneyed ending that makes you shrug your shoulders and want to move on to something better.

The romance, as saccharine as it may be, is an endearing throughline, anchoring the film as it oscillates between its genres.

Despite looking like it was based on a video game that your younger brother obsessively plays, The Gorge is in fact an original, or whatever that word means when the plot and aesthetic feel like they’ve been stitched together from so many other films.

This is a great-looking movie with star-power leads, and not for a second is any of it even close to being plausible, and we’re just fine with that.

A Whitman’s Sampler of film genres with a delightfully sweet center that belies its freaky packaging.

Despite a clunky set-up, “The Gorge” delivers on its potential.

All in all, a solid action adventure that spins a new take on the forbidden romance setup. Levi taking the leap to go see a woman he just met does unleash chaos, but would you resist the urge to dive headfirst over a large canyon for love?

Love in the time of <i>Cordyceps</i>.

The Gorge is essentially cut scenes from every World War II zombie video game you've ever seen. It has the same basic plotting, and is wholly derivative in its visuals and world building.

An intriguing genre hybrid with compelling conspiracy concepts unfortunately suffocates beneath derivative flourishes, video game aesthetics and poorly structured characterizations. But Sigourney Weaver looks fantastic.