The Invisible Man

... It uses its serious theme to give extra force to a tale that already has plenty of flair as a pure and simple spine-chiller.

A thriller whose mandate is to startle its audience with surface-level shocks while simultaneously subverting expectations in a deeper way, dropping us out of our comfort zone toward some sunken place.

The prize asset is Moss, of course, a seven-octave actor equally happy with micro-emotion and going very big indeed.

In their re-imagined The Invisible Man, filmmaker Leigh Whannell and actress Elisabeth Moss attack the patriarchy and affirm rich white tech bros as the enemy.

Ultimately, The Invisible Man makes for a pacey, if mostly predictable, reimagining of a classic Hollywood horror terror.

[Elizabeth Moss is] amazing and she does so much just with her eyes. It's a really demanding role physically [and] emotionally; it's a huge range she has to play.

The Invisible Man is a chillingly brilliant horror film that again shows why Leigh Whannell needs to be considered one of the best filmmakers currently going around. The psychological nature of the film takes the horror genre to a whole new level

Sublime without becoming overly sentimental, Invisible Life plays out like Douglas Sirk by way of Todd Haynes with a dash of Claire Denis.

I really wanted to like this film. I’m a sucker for horror where reality is taken out of our control, and it feels like the world is turning off its axis... As with many things in the film, the intention is clear, but the execution is wanting.

Sure nothing beats the original Invisible Man from 1933, but this new take on a classic is very entertaining.