The Marksman

Eastwood's former 1st AD-turned-director Robert Lorenz leads with an uncluttered visual style, a respect for his characters framed in juxtaposition with the land that would make his former boss proud.

While that stuff might be new to this guy, we've seen it all before.

This is a ponderous slog of a tale that rarely achieves anything close to a lasting impact.

As a bare-minimum action flick, The Marksman is mostly serviceable.

A Clint Eastwood reject.

Not a great movie, but courtesy of director Robert Lorenz, a lean, plausibly entertaining one with all the fixin's and none of the extra flab of deep, incisive meaning.

A film full of commonplaces, obviousness, and stereotypes unthinkable for the times in which we live. [Full review in Spanish]

Robert Lorenz, the director and one of three cowriters, usually produces Clint Eastwood flicks, and even the film’s bonus features reference them. Neeson makes a more affable protagonist than curmudgeon Eastwood

Liam Neeson as a Farmer/Marksman/Defender 
The same stuff he always plays 
Enjoyable
Surface level action

Is nothing but trope-filled inconsequential scenes that follow the hollow action thriller playbook genre step by each yawn-inducing step.