The Pornographer

critic Reviews

, 33% Rotten Tomatometer Score
  • , Fresh Tomatometer Score
    Richard BrodyThe New Yorker
    Bertrand Bonello's grimly histrionic, richly symbolic, yet somewhat on-the-nose melodrama, from 2001, which looks at the human wreckage left by the burst illusions of France's generation of May, 1968.
    Read full article
  • , Rotten Tomatometer Score
    Linda Ruth WilliamsSight & Sound
    I spent the first 30 minutes or so genuinely unsure about whether this film thought itself funny, willing it to favour knowing self-mockery, disappointed but not surprised when it plumped for high pretentiousness.
  • , Rotten Tomatometer Score
    Rick GroenGlobe and Mail
    The Pornographer does to its theme precisely what pornography does to sex -- it isolates specific parts while ignoring the bigger picture and the larger meaning.
    Read full article
  • , Fresh Tomatometer Score
    Tom DawsonBBC.com
    A cool, thoughtful character study, in which pornography can be read as a metaphor for the practice of film-making.
    Read full article
  • , Rotten Tomatometer Score
    Film Threat
    Read full article
  • , Rotten Tomatometer Score
    Jules BrennerCinema Signals
    The scenes in which the porno films are being made stand out, but with a 108 minute sit and an awkward narrative it isn't even salvaged by calling it French cinema.
    Read full article
  • , Rotten Tomatometer Score
    Scott WeinbergDVDTalk.com
    You wouldn't want to spend a mere 15 minutes with porn filmmaker Jacques Laurent ... and The Pornographer runs 106.
    Read full article
  • , Fresh Tomatometer Score
    Christopher NullFilmcritic.com
    not just a study of how porn has degenerated from adult-oriented love stories to rank perversion, it's also a film about how the movies themselves have changed
  • , Rotten Tomatometer Score
    Rich ClineFilm Threat
    Only fans of the most pretentious, dull French cinema will even remotely like this film.
  • , Rotten Tomatometer Score
    Kim Linekineye WEEKLY
    The theme of silent passivity runs throughout the film, so Bonello must have wanted to make some kind of statement with it. The effect is merely alienating.
    Read full article