Tyler Perry's Boo! A Madea Halloween

critic Reviews

, 19% Rotten Tomatometer Score
  • Boo! A Madea Halloween won't win Tyler Perry's long-running franchise many new converts -- but at nine films and counting, it hardly needs to.
  • , Rotten Tomatometer Score
    Kimberley JonesAustin Chronicle
    Excepting Perry's performance as Brian, the film is chockablock with terrible actors, and the jokes he gives his inferior cast to work with are stinkers.
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    Jesse HassengerAV Club
    Madea remains a distinctive, weirdly compelling character. Maybe someday Perry will make a good comedy for her.
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  • , Fresh Tomatometer Score
    Glenn KennyNew York Times
    Mr. Perry is ... an eccentric, inspired performer, and his screen-filling antics as the raucous but righteous Madea - a character who runs through Mr. Perry's stage, film and TV work - is the truly pertinent component here.
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  • , Fresh Tomatometer Score
    Kimber MyersLos Angeles Times
    This comedy is unlikely to win over any new fans, but the devoted will find comfort in the familiarity.
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    Odie HendersonRogerEbert.com
    At 103 minutes, this film has way too much dead weight. Scenes are repeated over and over, and some of the acting would not cut it in a school play.
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  • , Rotten Tomatometer Score
    Adam GrahamDetroit News
    "A Madea Halloween" is rare for Perry in that it's one of only two "Madea" films not adapted from a stage play, but it sure feels like one, with several scenes ... feeling like a one-act, one-room play that goes on and on and on.
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  • , Rotten Tomatometer Score
    Mark H. HarrisBlack Horror Movies
    Boo! A Madea Halloween is a movie that shouldn't exist.
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    Noah BerlatskySplice Today
    The film spirals into supposedly funny, but actually vindictive, violent fantasy.
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    Micheal ComptonBowling Green Daily News
    Like the trick-or-treating scene, Perry the director doesn't know when to exit.
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  • , Rotten Tomatometer Score
    Louisa MooreScreen Zealots
    Boo! feels like a one-note television sketch that runs on and on and never really goes anywhere. This isn't perceptive nor inspired comedy; it's lazy, self-referential, and tired.
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